Source: https://www.youtube.com/watch?v=aIdEWkAPIzc&list=PLOQvdw7d0cd9RZZkd2lZy2hmrnJv-cfLI&index=87
Evan: All right, so we are back here on the Choose 954 podcast with Mr. Mag Chop himself, Kenneth Currie, live from Studio J inside the great Project and MASS District, which we are both big fans and supporters of if you don't know about Choose 954, it's a social movement that we started to cultivate culture community here Broward, bringing people together over our shared passions of art, food, music, tech talks in an effort to make this a better place to live, and that's specification.
So, we curate culture via social media, visual storytelling, a curated newsletter, event calendar, podcast. Then we started creating culture in the form of events, which we'll get into as well, but before we get into that, appreciate you joining us.
Kenneth Ruiz: Thank you, thanks for having me.
Evan: And why don’t you tell us, you know, a little bit about yourself?
Kenneth Ruiz: All right. My name is, I'm the owner and artist designer behind Mag Chop, and Mag Chop was basically an art company that I started four years ago, and we've grown to doing a lot of different things. I offer fine art collections, album covers, movie posters, provided movie artwork for set design, swimwear line, and activewear line, and a 50-notebook collection.
Evan: Tell us about how you got started.
Kenneth Ruiz: You know, it's, you know, it's a really, it's a really ups and down bittersweet story. I've been an artist my whole life, but I lost the ability to draw and paint. It was devastating because that's one of the things I loved doing. And my wife had suggested collage art. The reason she suggested collage was because five years prior I had made a piece of collage.
Evan: Right.
Kenneth Ruiz: He was just... no, it's not that, that's the one, that’s the one that helped propel me, like, that took me there. But I did this piece earlier, my wife and I bought a house, and we were kind of thinking, like, decorating, getting rid of everything. So she told me I had to throw away all her Cosmopolitan magazines. I didn’t know that they were as sacred as my Lowrider magazines. And at the time I was working with Jerry Gladstone at American Royal Arts, and I asked him about why people spend so much money on art. And, you know, he gave me this whole thing about, it’s about people wanting something that represents them or their character, their uniqueness, or whatever it is, in their house, on the walls. And if an artist can capture that, they’ll pay astronomical amounts of money for it, you know?
Evan: Right.
Kenneth Ruiz: So I wanted to paint something like that for me. And so I told my wife, “Well, if you’re gonna throw away all these things, can I go ahead and make something out of them?” And I sat there for four and a half months every day. I mean, I would come home from work, and I would just search through the magazines, finding images that related to the story that I wanted to tell, and I just pieced it together. And I hung it on my wall. It was on our wall for years, you know, until we got into the house and everything like that. But that’s where it really started when I first got into collages, with that one piece.
So, five years later, after my mom passed away, my wife suggested again, for healing, why don’t you do a collage piece? So I did, and I found such therapy in that. And once I started, I was making them over the course of like a year and a half, I was making them. And sometimes I would hang them up in my house, and we’d have dinner guests over. That’s when one of the dinner guests saw that piece and said, “Listen, I gotta see the rest of your collection.”
Kenneth Ruiz: So I did, and I found such therapy in that. And once I started, I was making them over the course of like a year and a half. I was making them, and sometimes I would hang them up in my house. We would have dinner guests over, and that’s when one of the dinner guests saw that piece and said, “Listen, I got to see the rest of your collection.”
But I want to give that away today. I want them to wait till August 10th because August 10th, I’m going to be speaking for AAF Creative Zen. And she was like, "By 4:00, at the Bean to Brew in the MASS District." I don’t know the address, 900 North—I work right around the corner—900 North Flagler. Make sure you're there. So, make sure we have... I posted everything, so I want to talk about that up there. I want people to know that sometimes things are going to line up for you, but it’s how you present it and how you think.
Kenneth Ruiz: Creatives Zen is a monthly breakfast lecture series that we started in conjunction with the local chapter of the American Advertising Federation. My partner, Andrew Martineau, was present enough to connect, engage, and inspire our local creative community. One Friday morning a month—it’s the second Friday morning of every month—it’s a free event, free coffee, breakfast, networking, and a talk by a local speaker. And it’s—you know—Ken’s story, which I’ve heard bits and pieces of here and at the master mixers, is really an incredible story.
So, I’m not going to get into it all today, but hopefully, you could join us Friday morning. Doors open at 8:30; the talk starts at 9:00. You’ll be out of there by 10:00. If you can’t make it, we do get a pretty good video from Mike Hueit with his live digital agency, so we’ll have that online. But I’m really looking forward to being there. You’re going to be there?
Kenneth Ruiz: Yeah, I’m really looking forward to it.
Evan: Look forward to that. Why don’t you tell us a little bit about your art, and what actually goes into your work?
Kenneth Ruiz: So, with this particular piece—this piece is actually, it’s very, it’s actually a very personal piece. It really is a piece that’s about losing my mother. So, it’s like, a real Bob guy hugging this woman and also check the colors coming out of her, and then going towards the light. And the surrounding area of that piece, to me, that’s the sum of art, is that area with the colors weeping, you know?
Evan: Right, I see that.
Kenneth Ruiz: Yeah, I mean, there’s stuff to it. I know, and I want the pieces to look like that. It’s a matter of finding what piece is going to make it. Sometimes I have to create it out of other stuff. You gotta chop it up, you know, the way it is.
Evan: Right.
Kenneth Ruiz: So that’s what that piece is really about. It’s about the things that we did together, the lifestyle that we lived. My mom was very supportive, riding with me. We would show my car, and then my brother and sister would ride a bike. So, that was—that was my first pieces. There's a lot of lowrider influence because that’s what I was into.
Even though the piece doesn’t necessarily tell you a story about the riding right there, a lot of the riders who are depicted are able to tell the story.
Kenneth Ruiz: So that was—that was my first pieces. There’s a lot of lowrider influence because that’s what I was into. Even though the piece doesn’t necessarily tell you a story about the riding right there, a lot of the riders who are depicted are able to tell the story. So, each piece does.
I’ve had some rides—I've had a '65 Buick Skylark, I’ve had a 1985 Buick Regal, I have another one right now I’m building, an 1883 Regal. But I had a '96, '93 Fleetwood, and an '88. And let me tell you, the '88 Cadillac, I used to hop that thing everywhere.
Evan: Oh wow!
Kenneth Ruiz: Everywhere.
Evan: Your mother must’ve been like, “What are you doing?”
Kenneth Ruiz: There you go! There you go!
Evan: So, tell me, I would like to kind of get the "why" or the backstory that you try to capture in your art. What are you trying to capture in the culture of lowriding, for example?
Kenneth Ruiz: Well, I named it that because I wanted to be able to say that each thing that I said I was doing can relate to a different culture. I did the lowrider culture because that’s what I knew, even though I’m Puerto Rican. It’s not something that’s commonly associated with us, but there is a gap in our acceptance. But I’ve been into lowriding.
Evan: Right.
Kenneth Ruiz: I saw it, I built into it, but I wanted to be able to do something that was going to attract the attention of other people in their cultures. The first thing that did that was a piece called “Iron Freedom,” which was really a transitional piece for me. And I really had to delve into the culture. I went to Café 27, I went to Renegade, and I went to some other places I wasn’t supposed to be at. I was backstage at some events I wasn’t supposed to be at, but they ended up talking to me really nicely about their culture, what they do, how they ride, what their club is all about.
Evan: Right.
Kenneth Ruiz: I got to see the intricacies. It was like, I thought I was seeing the "Sons of Anarchy" stereotype, but it ended up being really cool. These guys weren’t what you’d expect—they were actually military veterans, most of them, and they had a whole different story.
Evan: That’s amazing.
Kenneth Ruiz: So I really delved into that culture to get that piece right. Then another passion I delved into was fishing. I created a piece inspired by the fishing culture. I talked to people who built boats, and they told me stories about what it was like out on the water. I spoke to friends who were into deep-sea fishing, and I learned about their love for saltwater and the intricacies of their gear.
Kenneth Ruiz: So I really dug into it to get that piece right. And then you start getting into different passions and cultures. That one was really about fishing. So I went out, and I spoke to similar people that build boats, people that were into fishing, and what stories they have. Some friends of mine that have boats told me about their experiences. I wanted to melt into that culture, so I really dug into it. I really get into the cultures of whatever piece I’m working on.
Evan: And you've gotten into a few cultures now, not just fishing but also racing, right?
Kenneth Ruiz: Yes, racing. Racing was amazing to get into because it’s a very close and tight-knit society, the racing industry and racing world. Coming from Chicago and being into lowriding, racing wasn’t something I knew a lot about.
Evan: Right.
Kenneth Ruiz: You know, there’s that stereotype about racing—people think it’s just turning left all the time. But it’s so much more than that. These are executives, these are businessmen, and they’re testing products under the most rigorous conditions.
Evan: Exactly.
Kenneth Ruiz: It’s insane. I got into it, and I ended up meeting Bernie Francis Jr., who, let me tell you, is an incredible racer. And that’s how Mag Chop came to be in that culture. There’s so much to that story, and I can’t wait for August 10th because I’ll be diving into all of it.
Evan: That’s incredible. I can’t wait to hear the full story.
Kenneth Ruiz: Yeah, I met Bernie Francis Jr. through a mutual connection. His PR person, Rose Warner, said, “If you can make a piece that represents him, they’ll give you the contract to do their personal art.” And that’s exactly what I did. I went to see him race at the track, hung around, and really immersed myself in that world.
I’m not mechanically inclined, but I know how to fix things, and I was able to talk shop with the mechanics and really get into the speed and everything they were doing. I watched them change tires as fast as possible, and that’s how I got into that culture. I made a piece that represented Bernie, and that led to more opportunities.
Evan: Wow.
Kenneth Ruiz: Bernie is now the youngest person to win the Trans Am series since its inception in 1966. He’s the fastest racer in Trans Am history, the first to get pole position in every race, the first Asian-American to sign with NASA, and he’s a four-time champion.
Evan: That’s amazing.
Kenneth Ruiz: Yeah, and he’s on pace to become a five-time champion.
Host: Incredible. One of the most interesting parts of your story that I’ve enjoyed hearing is how these things have aligned for you. Obviously, it’s a testament to hard work and preparation, but the way people and opportunities have come together is amazing.
Kenneth Ruiz: Yeah, you never know who you’re going to meet. Opportunities come from the most unexpected places. It’s all about showing up and being ready when the moment comes.
Evan: Exactly. And that’s why I’m glad we’re doing this podcast here in the MASS District because you’ve developed a real appreciation and support for the MASS District. What do you think about MASS and where the Broward County art scene is headed?
Kenneth Ruiz: I like the direction it’s headed, big time. I was originally showing a lot at the Wynwood area in Miami, and it did pretty well there. But when I came to MASS District, I got a different kind of love here. The people here are more involved with trying to work together. I saw a bit of that in Miami, but MASS District really embraces collaboration.
Evan: That’s amazing.
Kenneth Ruiz: Yeah, Broward County and MASS District are on the right track to become a real competitor to places like Wynwood. The art here is on the same level. The quality of the artists here—they can absolutely hold their own. There’s no doubt about that. I’ve seen artists from all over come through MASS District, and the quality of their work is incredible. The people who support the art here, too, are very genuine. I tell people, if you’re coming to Florida and you’ve done the Wynwood thing, come to MASS District because it’s another experience. It’s got its own vibe.
Evan: That’s great to hear. It sounds like you’ve really found a community here.
Kenneth Ruiz: Absolutely. The Bistro was the first place that Mag Chop got into. They were like, "Right away, we want something cool, some mugs." We talked, and we came to an agreement. Now they carry my mugs. In fact, they have one mug that’s kind of not part of the main collection. You won’t find it on MagChop.com; you have to get it exclusively from The Bistro.
Evan: That’s awesome! The Bistro, by the way, is a vegan restaurant here in the MASS District. Much love to George and the crew for what they’ve created here.
Kenneth Ruiz: Yeah, they’re amazing. It’s such a family atmosphere here in MASS. Even the people who shop here—it feels like a tight-knit community. I did one of the Art Walks here, and it did really well. I haven’t been able to get back for another Art Walk, but that’s something I want to do more of.
Evan: Art Walk is such a great way to connect with people, right?
Kenneth Ruiz: Exactly. It’s also a way to connect the dots, and a lot of where I’ve gotten to is from simply supporting other people's events and showing up. Showing up is important. If someone invites me somewhere, I show up because you never know who you’re going to meet. You could meet someone who looks like just another person in the crowd, and it turns out they own a major corporation that’s interested in your artwork.
Evan: That’s such a good point. Showing up is key.
Kenneth Ruiz: Absolutely. The hustle meets talent, and showing up puts you in a position for opportunities. You don’t know who’s going to be there, and you don’t know what connections will be made. It’s about being present and engaging with people.
Evan: Right. You never know where it’s going to lead. I think that’s what a lot of people miss—they assume things happen by luck, but it’s really about being prepared and putting yourself out there.
Kenneth Ruiz: Exactly. You’ve got to be ready and willing to put in the work. It’s not always glamorous, and it’s definitely not easy, but it’s worth it. I’ve worked harder than ever before, but when you’re doing something you love, it doesn’t feel like work.
Evan: Exactly. When you’re passionate about something, the hard work doesn’t feel like a burden. It feels fulfilling.
Kenneth Ruiz: Absolutely. And that’s the thing people don’t see—how much work goes into each piece of art. It’s not just putting things together; it’s the thought, the creativity, the detail. For instance, some of my pieces take anywhere from four to seven months to complete. The longest one took a year.
Evan: A whole year?
Kenneth Ruiz: Yeah. I gave it to a friend of mine for Christmas. He’s like a brother to me, and when he opened his business, I told him he needed a nice piece for his wall. That was my first 3D piece, and it took me a year to complete. It’s a beautiful 3D piece, and I really put my heart into it. These pieces take time because I know exactly what I want the final piece to look like in my mind. But I have to search through magazines and materials to find the images that will help tell the story I’m trying to convey. Each piece tells a story, and it has to come together just right.
Evan: Wow. So, Mag Chop literally comes from “chopping up magazines,” right?
Kenneth Ruiz: Exactly! That’s where the name Mag Chop comes from—chopping up magazines to create these collages. It’s a process of finding the right pieces to tell the story I want to tell.
Evan: That’s really cool. You can see the dedication in each piece. And you’re going to be sharing more of this story at Creative Zen on August 10th, right?
Kenneth Ruiz: Yes, exactly. Friday, August 10th, at Bean to Brew in MASS District, I’ll be sharing my story at Creative Zen. Doors open at 8:30 a.m., the talk starts at 9:00, and you’ll be out by 10:00. If you’re worried about missing an hour of work, don’t be—tell your boss you’ll gain valuable insights, and I’ll give you five bullet points of what to tell them!
Evan: (Laughing) I love that. And if you can’t make it, we’ll have a video available online, but it’s better to be there in person if you can.
Kenneth Ruiz: Definitely. Being there in person is always better. I’m really excited to share my story and talk about the journey that got me here. I want people to know that no matter how hard things get, if you stay dedicated and follow your passion, you can make it.
Evan: Where can people find you online if they want to check out your art or connect with you?
Kenneth Ruiz: You can find me on social media. I have two different Instagram accounts: @magchop (M-A-G-C-H-O-P) and @magchop_swim. Follow both because they each have different content. On Twitter, it’s @MagChop. Facebook is Mag Chop Art, and on LinkedIn, you can find me under my name, Kenneth Currie.
Evan: And the swimwear is a whole other thing too, right?
Kenneth Ruiz: Yeah! The swimwear has really taken off. I’m doing a swimwear line with Mag Chop designs, and we’ve gotten some great opportunities with it. We’ve been part of Miami Swim Week and other fashion shows, which has been amazing.
Evan: That’s awesome. Tell us a little more about Miami Swim Week. That’s a huge deal, right?
Kenneth Ruiz: Oh, absolutely. Miami Swim Week is one of the biggest swimwear fashion shows in the world. I knew that I had to bring my A-game. Fashion TV was covering it, and I’ve been to Swim Week before, so I knew the level of expectation. I was really happy with my first line of swimwear, but I knew I had to step it up.
I spoke to Celia and Vanessa, who were running things, and they told me, “You need to meet a certain level of quality to be considered for Miami Swim Week.” So, we stepped up everything—from the stitching to the materials, to the quality of the sublimation. I really wanted to show up and make it epic, and we went creative with the show. We opened with a bang!
Evan: What did you do to stand out?
Kenneth Ruiz: So, the last four models I had walk the runway for Miami Swim Week were dressed in matching outfits, and I had them walking to the Darth Vader Imperial March song by Celldweller. They were wearing matching buffs, and they had lightsabers! It was epic—the crowd loved it. The vibe was insane.
Evan: That sounds amazing!
Kenneth Ruiz: It was. Everyone was telling me how much they loved it. People were like, “That was the coolest thing we’ve seen all night.” The energy was unreal. I had done something similar at the Cosmic Film Festival, where the last model walked out swinging a bat, and she had a buff on as well.
We did another show at the Wicker Park Fest in Chicago, which also had an incredible reception. I got a lot of love for what we did at these shows. Celia, who’s part of Miami Swim Week, even said I was the highlight of the weekend.
Evan: Wow, that’s incredible! It sounds like everything really came together for you.
Kenneth Ruiz: It did. And when Celia introduced me at the Wicker Park show, she mentioned that I’m from Chicago. The crowd cheered, and it felt amazing. It was like everything came full circle, and I felt like a million dollars.
Evan: That’s so awesome to hear. It’s great when your hard work gets that kind of recognition.
Kenneth Ruiz: Exactly. The reception we got from the shows was great, and I’m really grateful for that.
Evan: I think you’ve also touched on something important—the transition from creating art to creating a business around your art. That’s not always easy for artists.
Kenneth Ruiz: Yeah, as an artist, you often hear the term “starving artist.” It’s tough because you’re not always selling artwork every day. You’re not going to sell art every single day unless you’re in a gallery with high traffic or something like that. So, as an artist, you have to think of different streams of income. You either create those streams, or you work for someone else while trying to build your brand.
Evan: That’s real.
Kenneth Ruiz: It is. For me, I decided I was going to create those streams. The first thing I did was transition my art onto products, like mugs. The mugs did surprisingly well. People wanted 15-ounce beer mugs, and each one had a different piece of art on it.
Evan: That's smart.
Kenneth Ruiz: Yeah, so I started with mugs, then posters—things that were more affordable so that people could take something home from the shows. I even did a canvas version, and some of my pieces come in different parts. I was sitting with a friend, and he said, “Man, I wish my wife had something of yours to wear.” And that’s when the idea hit me—swimwear.
Kenneth Ruiz: That’s when the light bulb went off. I was like, imagine my art on a bathing suit. So, that began my journey into the swimwear fashion world. But let me tell you, if you're thinking about going into fashion as a business, go to school! It’s a lot of work, and I had to learn the hard way about things like fabric quality, stitching, and sublimation.
Evan: Right, it’s a whole different world.
Kenneth Ruiz: Exactly. It’s a completely different world. But I’m proud of how far we’ve come. The swimwear line has really taken off, and we've had some great opportunities, like being a part of Miami Swim Week. And on top of that, my art has made its way into movies too.
Evan: Wait, your art is in movies?
Kenneth Ruiz: Yeah! I’ve had my artwork featured in a few films. Barbie Castro, who produces Lifetime original movies, picked up five of my pieces for two of her movies: “Marriage Killer” and “Dream Killer.” It's part of her killer movie series.
Evan: That’s amazing!
Kenneth Ruiz: Yeah, it’s been really cool. And that’s one of the things I want to cover on August 10th at Creative Zen. Networking got me into these opportunities. You don’t just walk onto a movie set and say, “Hey, here’s my art.” There are steps involved. People think it’s easy, but it’s a lot of work. We make it look easy, but behind the scenes, there’s a grind. You’ve got to put in the work.
Evan: Right. People don’t always see the hustle behind the success.
Kenneth Ruiz: Exactly. You’re going to work harder than you’ve ever worked before when you’re doing something you’re passionate about. But it doesn’t feel like work because you love it.
Evan: How much work goes into making one piece of your art, on average?
Kenneth Ruiz: It can take anywhere from four to seven months to complete a piece. The longest one took a year, and I gave it to a close friend for Christmas. I told him he needed a special piece for his business, and I made a 3D piece for him—it was my first one. That took a year to finish, but it turned out beautifully.
Evan: A whole year—that’s dedication.
Kenneth Ruiz: Yeah, and that’s because I know what I want the piece to look like in my mind before I start. I have to search for the right images and materials, and that can take time. Each piece tells a story, so I have to find the right pieces to tell that story.
Evan: That’s what makes your work unique—each piece has a story behind it.
Kenneth Ruiz: Exactly. And that’s where the name “Mag Chop” comes from. It’s all about chopping up magazines to create something new and meaningful. Each piece is a collection of stories told through the images I find.
Evan: That’s awesome. You’ve really built something special with Mag Chop. You’ll be sharing more of this story at Creative Zen on August 10th, right?
Kenneth Ruiz: Yes! Friday, August 10th, at Bean to Brew in the MASS District. Doors open at 8:30 a.m., the talk starts at 9:00, and you’ll be out by 10:00. If you can’t make it, we’ll have a video online, but it’s always better to be there in person.
Evan: Absolutely. And where can people find you online?
Kenneth Ruiz: You can find me on Instagram at @magchop and @magchop_swim. On Twitter, it’s @MagChop, and on Facebook, it’s Mag Chop Art. You can also find me on LinkedIn under my name, Kenneth Currie.
Evan: That’s awesome! I love that you have different Instagram accounts for your art and swimwear. It gives people a chance to follow what they’re most interested in.
Kenneth Ruiz: Exactly. I wanted to keep the swimwear and the art separate but still connected under the Mag Chop brand. Each has its own vibe, and people appreciate being able to follow the content that resonates with them.
Evan: Makes sense. So, aside from Creative Zen on August 10th, are there any other upcoming events or shows where people can see your work?
Kenneth Ruiz: Yeah, I want to plan something soon at Double O Saloon. It’s a great venue with a nice stage, and I’d love to do a combination of an art show and a concert. I’ve got a vision for an event where we showcase local artists, have some live music, and bring the community together. I think that could be something special.
Evan: That sounds incredible. You’ve got to let us know when that happens.
Kenneth Ruiz: For sure, I’ll keep everyone posted. But really, the biggest thing is getting people to show up. You’ve got to get out of the house and support these events. That’s how the art community grows—by showing up and supporting each other.
Evan: Absolutely. That’s what it's all about. Showing up and supporting the local scene.
Kenneth Ruiz: Exactly. That’s why I always tell people, whenever you go to an event, go with the intention of supporting someone. Buy something from a local artist, even if it’s a small piece. You’ve got holidays coming up, maybe it’s not for you, but you can get it for someone else. It keeps the artists motivated and shows that their work matters.
Evan: That’s such a great point. Supporting local artists helps keep the creative community alive and thriving.
Kenneth Ruiz: Yes, and it's not just about spending money. It's about showing up, being present, and appreciating the work people are doing. The more we support each other, the more we can elevate the whole scene.
Evan: I love that. And you’re so right. People don’t always realize how much their support means to artists. It’s more than just a purchase; it’s about valuing someone’s creativity and effort.
Kenneth Ruiz: Exactly. And that’s why events like Art Walk and other community-driven initiatives are so important. These are the spaces where artists, musicians, and creatives can share their work with the world. And as the community grows, the more opportunities open up for everyone.
Evan: I completely agree. Art Walk is such a great platform for artists to showcase their work, and it gives the community a chance to engage with local talent in a meaningful way. It’s one of those events that really helps drive the creative economy, too.
Kenneth Ruiz: Absolutely. When people come out and support events like Art Walk, they’re not just buying art—they’re helping build a creative economy. That money circulates back into the community. If you buy a piece from an artist, that artist can buy supplies, and the art supply store benefits. It’s a cyclical process that supports everyone.
Evan: Right, and it has a bigger impact than most people realize.
Kenneth Ruiz: Exactly. It’s not just about the artist; it’s about the entire local ecosystem. From the people who set up the events, to the venues, to the vendors, everyone benefits. That’s why showing up and supporting local art is so important. It’s how we keep the creative culture alive.
Evan: It really does go beyond just the transaction. It’s about fostering a community that values creativity and supports each other’s growth.
Kenneth Ruiz: Definitely. And there’s so much talent here. People don’t always realize the level of artistry and craftsmanship that exists in their own backyard. That’s why I tell people, if you’re visiting Florida and you’ve been to the big art districts, come check out the MASS District. It’s got a unique energy, and there’s incredible art happening here.
Evan: It’s amazing how MASS District has really developed into this thriving creative hub. There’s a family-like atmosphere among the artists and businesses here, which makes it special.
Kenneth Ruiz: That’s what I love about it. The artists and business owners here really look out for each other. It’s a collaborative environment, and that’s what makes it stand out. Everyone’s working together to build something bigger than themselves.
Evan: And that’s what’s going to keep it growing and evolving. It’s exciting to see where it’s headed.
Kenneth Ruiz: I agree. I think MASS District is just getting started. There’s so much potential, and the more people show up to events and support the local scene, the more it’s going to flourish.
Evan: I couldn’t agree more. Well, Kenneth, it’s been amazing having you on the show today. You’ve shared so much valuable insight about the art world, building a brand, and the importance of community support.
Kenneth Ruiz: Thank you so much for having me. I really appreciate the opportunity to share my story, and I hope it inspires others to pursue their passion and support their local creatives.
Evan: Absolutely. And for everyone listening, don’t forget to check out Kenneth Currie’s work online and follow him on social media. And if you’re in the area, be sure to attend Creative Zen on August 10th at Bean to Brew in the MASS District. It’s going to be an inspiring talk, and you won’t want to miss it!
Kenneth Ruiz: Thanks again, and I hope to see everyone there!
Evan: That’s a wrap for today’s episode of the Choose 954 Podcast. Thank you all for tuning in, and remember to keep supporting local art and culture. We’ll see you next time!
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